Thursday, 14 March 2013

Campbell's Soup




Referencing

Andy Warhol, Campbells Soup Cans – 1962. Synthetic Polymer paint of canvas, 20X16” on 32 Canvases (Approx 128X80’), Museum of Modern Art



5 Unique Facts about the Work


-          It consists of thirty-two individual canvases
-          One of each of the canned soup varieties the company offered at the time in 1962
-          The first one he painted was the tomato soup can and it is still the most valuable
-          This artwork was mounted for his first one-man gallery exhibition as a fine artist in 1962
-          This artwork represented the debut of pop art.

Marilyn Monroe



Referencing

Andy Warhol, Marilyn Monroe – 1962. Size: 36x36, Medium: Screen print, Location: National Gallery of British Art


5 Unique Facts about the Work

-          This image of Marilyn Monroe was done shortly after she committed suicide in 1962
-          The image is based on a famous publicity photo taken by Gene Korman for a movie she made in 1953 named Niagara
-          First image Warhol did when he began experimenting with silk screening
-          Image shows the falseness of fame. Warhol shows that the public image of Marilyn Monroe is so fake, nothing the public saw reflected her real life
-          For this and many other images Warhol experimented with colour. He purposely selected the bright colours to reflect the falseness of her public image 

Self Portrait



Referencing

Andy Warhol, Self-portrait – 1963. Medium: Paint on canvas, Size: Dimensions: 208.3 cm × 208.3 cm (82.0 in × 82.0 in), Location: Metropolitan Museum of Art, New York


5 Unique Facts about the Work

-          For this artwork, Warhol used a silkscreen image of himself
-          Warhol’s image is like a single and dramatic paint-splash on a black canvas
-          This was the last exhibit done by Warhol, in 1986
-          Self-portraits derived from polaroid photographs taken by Benjamin Liu, operating under Warhol's instructions
-          The pictures were taken while he was sitting in the stairwell outside his studio

Mick Jagger




Referencing

Andy Warhol, Mick Jagger – 1969. SIZE 29x43, Medium: Screen print on Arches Aquarelle (Rough) Paper, Location: Different owners around the world


5 Unique Facts about the Work


-          Silkscreen based on a photograph taken of Mick Jagger by Warhol himself
-          Its hand-made by additions of collage elements he used from torn cheap graphic color aid papers
-          Picture is made from 10 different photos
-          This photo lead to Andy Warhol designing the Stones record company logo
-          Andy Warhol had never charge Mick Jagger for any of the artwork he had done for him, this was because of the friendship they made after this art piece.

Green Car Crash




Referencing

Andy Warhol, Green Car Crash (Green Burning Car I), Medium: synthetic polymer, silkscreen ink and acrylic on linen, Size: 90 x 80 in. (228.6 x 203.2 cm.) 
Painted in 1963. Location: Christie's Galleries at Rockefeller Center, New York




5 Unique Facts about the Work

- Car crash paintings were actually part of a series of paintings called The Death and Disaster Series 
 - Wasn’t made to help Ralph Nader visualize his message about the lack of safety features in cars
- The series also included images of airplane crashes, the electric chair, atomic bombs, race riots
- The car crash photo were the most popular out the series
- This painting set world record being sold for $71,720,000 in 2007

What make Warhol a True Master



        I would say what makes him a true master is his courage to announce his homo sexuality in the 60’s. Through his mastering of advertisement Warhol mastered a style and mastered a market. The influence of celebrities was massive in his time with superstars like Elvis and Marylyn Monroe, and the people loved them. He used this idea of peoples love for culture to create art that captured people’s attention; from famous products to people to car crashes. Warhol’s work was for the masses not just for the upper class to hang in their dining rooms. Warhol’s art always suggests something about life; he let the world around him influence his art. His style received a lot of criticism but he still pushed forward and he certainly did make a difference in today’s life.

 “Sometimes the little times you don't think are anything while they're happening turn out to be what marks a whole period of your life” – Andy Warhol

Style


Andy Warhol: I think everybody should like everybody.
Gene Swenson: Is that what Pop Art is all about?
Andy Warhol: Yes, it's liking things.”

Warhol’s art encompassed many forms of media, hand drawing, painting, printmaking, photography, silk screening, sculpture, film and music. Warhol’s style was known as pop art; which illustrates the relationship of artistic expression, celebrity culture, and advertisement. Warhol was an early adopter of silkscreen printmaking process as a technique for making paintings. The earliest silk-screening in painting would involve hand drawn images. This soon developed into photographically derived silk-screen paintings.

His work as a commercial artist and fine artist shows that unintentional marks and smudges were tolerated. Both his commercial and fine art endeavors were often full of imperfections such as smudges and smears. In the 70’s Warhol devoted most of his time to finding well off  celebrities that he would do portrait commissions of such as Mick Jagger, John Lennon, Diana Rose, to name a few. In the 80’s Warhol’s reemergence of critical and financial success in the 80’s was due to his affiliation and friendship with prolifically younger artists. They were dominating the New York art scene. All of Warhol’s work from the 70’s was starting to cause criticism and that he was becoming a business artist. The reviewers in 1979 disliked the exhibits and portraits of the 1970’s personalities and celebrities. They called them superficial, facile and commercial with no depth or indication of significance of the subject. The fact that Warhol was a homosexual also influenced his work and shaped his relationship to the art world is a major subject of scholarship on the artist.

The colour palette used by Warhol was bright colour no matter if it was a painting of a celebrity or a car crash. He would also use softer pastel colours and blacks for shadows to contrast the main vivid colours that made his art pop.

                In his final years Warhol pioneered in computer-generated art using Amiga computers that were introduced in 1984. When Warhol died he was working on ‘Cars’, a series of painting for Mercedes-Benz.